By Asha Jain, Ravi Jain
Real-life mom and son, Asha and Ravi Jain, percentage the degree and inform this actual (and very Canadian) tale of generational and cultural conflict. whilst Ravi takes a visit to India his mom and dad make a decision it's the excellent time to introduce him to capability brides. Ravi isn't really offered at the thought of having married-at least no longer yet-but Asha fears that point is operating out.
Ravi Jain is an award successful actor, director, manufacturer and educator. Ravi and his mom inform their tale jointly, letting us into their own drama. decide upon Sunday performances happen at Dish Cooking Studio (390 Dupont road) and comprise a cooking type with Asha, the functionality, and a shared vegetarian Indian meal.
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Additional info for A Brimful of Asha
Technicality A few weeks later, a visit to two museums, first the Crafts Council Gallery and then the Design Museum in London, was to enter two exciting but separate worlds. In the Crafts Council Gallery, most of the exhibits were by women while the bulk of what was on display in the Design Museum were machined objects by men. To put it baldly, it appeared that the term ‘design’ was reserved for objects that men liked creating – largely machined objects – while the term ‘craft’ was bestowed on handcrafted work, much of it as far as the Gallery was concerned textile crafts, an area dominated by women.
Of the 29 people remaining – a massive 73% of those interviewed – all thought that there were differences between the visual creations of men and women. Interestingly, many of the differences discussed echoed differences identified in the studies comparing children’s and young people’s drawings. So common themes related to the male and female use of straight vs. round lines; their relative emphasis on three-dimensionality and functionality and in terms of underpinning themes, the depiction of males vs.
The first, by Kerschensteiner in Germany in 1905, compared boys’ and girls’ drawings and produced the interesting finding that boys’ drawings were more realistic than the girls’. Then, the Japanese study headed by Iijima in 2001 found that the boys were more likely than the girls to draw motifs arranged in piles, three-dimensionally or from a bird’s eye view (more on these studies below). So, while the boys favoured the realistic portrayals of objects, the girls preferred less realism, and favoured organising subjects in rows.