Against World Literature: On the Politics of by Emily Apter

By Emily Apter

Against international Literature: at the Politics of Untranslatability argues for a rethinking of comparative literature targeting the issues that emerge while large-scale paradigms of literary reviews forget about the politics of the 'Untranslatable'--the realm of these phrases which are constantly retranslated, mistranslated, transferred from language to language, or particularly proof against substitution.

In where of 'World Literature'--a dominant paradigm within the humanities, one grounded in market-driven notions of clarity and common appeal--Apter proposes a plurality of 'world literatures' orientated round philosophical ideas and geopolitical strain issues. The historical past and conception of the language that constructs international Literature is severely tested with a different specialize in Weltliteratur, literary global structures, narrative ecosystems, language borders and checkpoints, theologies of translation, and planetary devolution in a ebook set to revolutionize the self-discipline of comparative literature.

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Additional resources for Against World Literature: On the Politics of Untranslatability

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We are assaulted by a nearmythic tale of a civilization's rise, decline, and apocalyptic demise, but it is a uniquely modern myth, without any evident heroes or virtues, suggesting a sick land without standards or noteworthy achievements-in short, the jaundiced realm of our own modern history and consciousness. Doubtless the greatest purveyor of grotesquerie in our century is Samuel Beckett. His panoply of novels perhaps best dramatizes modern man's boredom, claustrophobia, and withdrawal inward-to a barren lunatic terrain.

Satirists have always sought to parody and to lampoon traditional literary and popular genres-romance, apologia, Bildungsroman, confession, detective mystery-and grotesquerie continues such practice. But grotesque satire seeks to go one step further, hoping to startle its readership by boldly shattering broadly accepted decorum and even elementary formal usage. Furthermore, it tends to wreak this havoc and perform this mayhem with some glee and a great deal of insidiousness. Chapters 3-9 consider the chief ways that satirists distort, fracture, and subvert the plot and other standard apparatuses of fiction.

Of harmes that cometh of Pride," says the Parson. 4 In An Essay on Criticism, Pope sounds a similar warning: Of all the Causes which conspire to blind Man's erring judgment, and misguide the Mind, What the weak Head with strongest Byass rules, Is Pride, the neverfailing Vice of Fools. , his university education, or his published writings. In the eyes of the satirist, such false pride ignores the reality of man's dual nature. According to the satirist, man always must remember that he is neither beast nor angel, but remains on this isthmus of a middle state In doubt his Mind or Body to prefer; Born but to die and reas'ning but to err.

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