By Suzanne Hobson (auth.)
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This research provides a brand new account of the relation among modernism and occult discourses. whereas modernism’s engagement with the occult has been approached by way of critics because the results of a lack of religion in illustration, an try and draw on technology because the fundamental discourse of modernity, or as an try to draw on a hidden heritage of principles, Leigh Wilson argues that those discourses have at their middle a mystical perform which remakes the connection among international and illustration.
With the booklet of this publication, Charles Tomlinson's version of Williams's chosen Poems, New instructions has brought a meeting higher and extra entire than the unique 1963 variation. commencing with Professor Tomlinson's fantastically transparent and precious advent this feature displays the main up to date Williams scholarship.
Just like the earthquakes and explorations depicted at the covers of Gertrude Stein's notebooks, this learn responds to creative and linguistic fault strains and charts new territories. The author's drawback is either with a common theoretical query - the connection among portray and poetry, among the visible and the verbal - and with a particular interval of inventive historical past - the early years of the 20 th century, while Cubism flourished.
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Additional resources for Angels of Modernism: Religion, Culture, Aesthetics 1910–1960
Both factions agree there is much to be enjoyed in some of the more incredulous and outlandish stories about the angels. For Woolf, the problem is less with the angel as a residuum of a religious than a patriarchal age and her whimsical solution is to figuratively ‘kill’ the figure beloved of nineteenth-century poets and novelists – the Angel in the House. Benjamin’s example has an altogether more serious and even tragic demeanour. In Theses on the Philosophy of History, the angel is wrenched out of his divine element to bear witness to the ongoing catastrophe of modern history.
5 Views are divided as to the consequences of the entry into history both for individual subjects and for the age as a whole. 6 On the other, to follow Hegel, modernity is a radically ungrounded moment. 7 In this 36 Angels of Modernism second version, the shift from divine to historical time appears both as release and burden: it sets us free to critique the past and to shape our own future and it cuts us adrift from narratives of beginnings and endings leaving us with nothing to contemplate except, melancholically, our own sense of loss.
Supposedly sighted during the retreat of the British Expeditionary Force from the battle of Mons in August 1914, the Angels of Mons rapidly became a popular myth combining elements of biblical eschatology with a consolatory form of religion and a folkish brand of nationalism. There are many variations on this story, but all of them describe how, heavily outnumbered and in retreat, the English soldiers witnessed an apparition in the sky. Shortly afterwards the German forces, though superior in number and holding the better position, turned and abandoned the field – a deliverance that for commentators on this event was Historical Angels and Angels of History 39 nothing short of miraculous.