By Michael Korda
From international leaders to Mafia dons, from Hollywood stars to the literary world's so much eccentric writers, the extraordinary and infamous alike have entrusted their life's paintings to Simon & Schuster's preeminent editor, Michael Korda. during this masterful memoir, Korda finds the unforgettable forged of characters and outrageous anecdotes at the back of 4 many years of blockbuster publishing, bringing us face-to-face with dozens of larger-than-life figures: Richard Nixon, who maintained his "presidential" personality lengthy after his public existence used to be over; Joan Crawford, whose autobiography mirrored a existence she may have beloved to have lived yet didn't; Joseph Bonanno, the retired Mafia don who'd do something to maintain from being killed via the reviewers.
And in a revelatory account that reads as compulsively as fiction, Another Life paints a vibrant photo of publishing's glitterati, together with Jacqueline Susann, who liberated women's fiction--and terrorized a publishing apartment, and Tennessee Williams, who nourished his genius on four-course vodka lunches. A veritable Who's Who of level, reveal, and letters, Another Life is the deft interweaving of publishing at it so much fascinating--and storytelling at its most interesting.
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Have our noise-soaked lives pushed us mad? And is absolute silence an most unlikely goal—or the only factor which may store us? a full of life story of 1 man’s quest to discover the grail of overall quiet. ---
“ I don’t comprehend at what aspect noise turned insupportable for me,” George Michelsen Foy writes as he remembers status on a subway platform in new york, palms clamped firmly over his ears, face contorted in discomfort. yet basically then does Foy observe how beaten he's through the city’s noise and vow to search out absolute silence, if such a scarcity of sound might be discovered.
Foy starts his quest by way of wearing a pocket-sized decibel meter to degree sound degrees within the components he frequents most—the subway, the neighborhood café, various rooms of his apartment—as good because the locations he visits that tell his seek, together with the Parisian catacombs, Joseph Pulitzer’s “silent vault,” the snowy expanses of the Berkshires, and an enormous nickel mine in Canada, the place he travels greater than a mile underground to flee all human-made sound. alongside the best way, Foy experiments with noise-canceling headphones, floatation tanks, and silent meditation earlier than he ultimately tackles a Minnesota laboratory’s anechoic chamber that the Guinness ebook of worldwide documents calls “the quietest position on earth,” and the place not anyone has ever persisted even forty-five mins on my own in its pitch-black inside sooner than discovering the silence intolerable.
Drawing on heritage, technological know-how, journalistic reportage, philosophy, faith, and private reminiscence, in addition to conversations with specialists in a number of fields whom he meets in the course of his odyssey, Foy reveals solutions to his questions: How does one outline silence? Did humans ever event silence of their early background? what's the dating among noise and area? What are the results of silence and our desire for it—physically, mentally, emotionally, politically? Does absolute silence
actually exist? if this is the case, will we really need to listen to it? And if we do listen it, what does it suggest to us?
According to the Environmental safety organisation, 30 million american citizens be afflicted by environment-related deafness in today’s electronic age of pervasive sound and sensory overload. approximately an identical quantity be afflicted by tinnitus, a , additionally environmentally similar, that makes silence very unlikely in even the quietest locations. In this recognize, Foy’s quest for silence represents extra than an easy mental inquiry; either his queries and his findings aid to respond to the query “How do we live saner, more fit lives this present day? ”
Innovative, perceptive, and delightfully written, 0 Decibels would certainly switch how we understand and have fun with the soundscape of our lives.
Christopher Fowler's memoir captures existence in suburban London because it has not often been obvious: throughout the eyes of a lonely boy who spends his days among the library and the cinema, devouring novels, comics, cereal packets - something that would demonstrate a narrative.
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Extra resources for Another Life: A Memoir of Other People
It was hard to believe what she was saying. Her daughter, a girl just like me, was sick with tuberculosis. I had never known anybody who was really sick, and it hadn't occurred to me that a girl just eleven years old and our neighbor could actually be bedridden with tuberculosis. I swallowed hard and thought I Page 30 should say I was sorry or something, but the words just stuck in my throat. If I had to go to see Annie Laurie, and I supposed I would, what would I talk about to a girl my age and sick in bed?
The air was so cold my breath froze and floated away like a misty cloud; but in the dry atmosphere the cold didn't penetrate my flannel gown, and I hardly noticed it. As I started back up the steps, my ear caught that first clear bugle note, the sound of reveille out at Fort Bliss. Quick as a flash I tucked the folded paper under my arm, turned around, and ran out to the edge of the street. . Every child in the neighborhood knew those words. I tapped my blue felt bedroom slipper in time and repeated the words to myself: Coffee, coffee, coffee, Sugar never seen, Page 4 Bacon, bacon, bacon, And nota streak of lean.
Most of the patients out there were veterans and didn't have a lot of visitors, so the Toonerville didn't have many passengers and only ran on the hour. Anyway, the motorman, Mr. Gibbs, looked out for us. When he saw us coming down hill he clanged his bell bloody murder, but he knew we'd have trouble stopping, and at the last minute after all the clanging he would bring the little trolley to a stop right at the pavement's edge, giving us a friendly wave and the right-of-way. When we were skating downhill, once we jumped our skates over the Toonerville track, it was clear coasting on to Dyer Street at the bottom of the hill.