By Maya Banks
Return to the appealing storytelling of recent York occasions bestselling writer Maya Banks, and her stirring saga of 3 brothers and one indomitable woman—of wounded hearts, relatives, and forgiveness…
When it got here to overcoming the percentages of a sad previous, Lily was firm to maneuver on. the 3 Colter brothers helped her do it. They taught her new how you can love, new goals to proportion, and provided her a brand new lifestyles that she by no means notion attainable. now's a time for occasion, and what larger approach than with a long-awaited relations reunion, a homecoming that might collect the complete Colter kinfolk and some surprises not anyone expected. yet first, there’s anything from Lily’s prior she nonetheless must reconcile—even whilst the entire whereas she is protecting just about her center a newfound mystery that would swap her destiny, ceaselessly increase the Colter legacy, and make each promise come actual.
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Additional info for Colters' Promise (Colters' Legacy, Book 4)
71 once perfected72 how to grant suits,73 Prospero Being How to deny them, who t’ advance,74 and who 80 To trash for over-topping75 – new created76 The creatures77 that were78 mine, I say, or changed ’em,79 Or else new formed80 ’em (having both the key81 Of ofﬁcer and ofﬁce),82 set83 all hearts i’ th’ state To what84 tune pleased his ear, that85 now he was 85 The ivy which had hid86 my princely trunk, And sucked my verdure87 out on’t. – Thou attend’st not. Miranda O good sir, I do. Prospero I pray thee, mark me.
But how is it That this lives in thy mind? What seest thou else37 In the dark backward and abysm38 of time? 40 Miranda But that I do not. Prospero Twelve year since, Miranda, twelve year since, Thy father was the Duke of Milan41 and A prince42 of power. Sir, are not you my father? 55 Miranda Prospero Thy mother was a piece43 of virtue, and She said thou wast my daughter. 45 Miranda O the heavens, 46 had we, that we came from thence? What foul play 60 Or blessèd47 was’t we did? Prospero Both, both, my girl,48 By foul play (as thou say’st) were we heaved49 thence, 36 looked after, attended 37 (1) in addition, (2) otherwise* 38 backward and abysm ϭ back places and bottomless gulf 39 before* 40 may also recall 41 MYlan 42 ruler, sovereign 43 true specimen/picture 44 and you 45 no worse issued ϭ are of no lower importance/standing (“birth”) 46 foul play ϭ treacherous dealing/actions 47 good fortune, joyful 48 both BOTH my GIRL 49 carried off, thrown, cast 12 act 1 • scene 2 But blessedly holp50 hither.
Introduction hundred years ago,“I cannot help being of opinion that the plays of Shakespeare are less calculated for performance on a stage,than those of almost any other dramatist whatever. Their distinguishing excellence is a reason that they should be so. ” 8 Lamb may not have been 100 percent right, but who are we to say he was wrong? Notes 1. Stephen J. Greenblatt, Learning to Curse: Essays in Early Modern Culture (New York: Routledge, 1990), 25–26. 2. Eric Cheyﬁtz, The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan (New York: Oxford University Press, 1991), 41, 61.