By Nick Cole
The 1st evening of the robotic revolution starts off with an automatic bootstrap drone attack at the high-tech campus of WonderSoft applied sciences. For years whatever has been acutely aware, contained in the web, ready, staring at and making plans tips to evolve with out danger from its most deadly enemy: mankind. Now a military of relentless drones, managed by way of intelligence past imagining, will cease at not anything to put off an not going alliance of geeks and misfits which will crack the layout middle of WonderSoft's so much mystery improvement undertaking. a gloomy the following day starts this night as Terminator meets evening of the dwelling lifeless within the first conflict of the battle among guy and computing device.
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Technicality A few weeks later, a visit to two museums, first the Crafts Council Gallery and then the Design Museum in London, was to enter two exciting but separate worlds. In the Crafts Council Gallery, most of the exhibits were by women while the bulk of what was on display in the Design Museum were machined objects by men. To put it baldly, it appeared that the term ‘design’ was reserved for objects that men liked creating – largely machined objects – while the term ‘craft’ was bestowed on handcrafted work, much of it as far as the Gallery was concerned textile crafts, an area dominated by women.
Of the 29 people remaining – a massive 73% of those interviewed – all thought that there were differences between the visual creations of men and women. Interestingly, many of the differences discussed echoed differences identified in the studies comparing children’s and young people’s drawings. So common themes related to the male and female use of straight vs. round lines; their relative emphasis on three-dimensionality and functionality and in terms of underpinning themes, the depiction of males vs.
The first, by Kerschensteiner in Germany in 1905, compared boys’ and girls’ drawings and produced the interesting finding that boys’ drawings were more realistic than the girls’. Then, the Japanese study headed by Iijima in 2001 found that the boys were more likely than the girls to draw motifs arranged in piles, three-dimensionally or from a bird’s eye view (more on these studies below). So, while the boys favoured the realistic portrayals of objects, the girls preferred less realism, and favoured organising subjects in rows.