By Beverly Jenkins
The baby he didn't be aware of he had . . .
Andrew Yates has decide: it's time to forestall sowing these oats and begin a relations. yet looking for a bride isn't so simple as he'd was hoping, and plenty of of the first rate girls of his acquaintance consider . . . missing. Then appealing, feisty Wilhelmina "Billie" Wells arrives on the family members ranch with a child in her hands, claiming Drew is the father!
The girl he didn't understand he enjoyed . . .
Billie had no selection yet to teach up at future looking for Drew. For the sake in their baby, she's prepared to depart him together with his father so the boy may have a greater lifestyles, yet then, earlier than she will blink, she's asserting "I do" in entrance of a preacher in a wedding of comfort. All Billie and Drew have in universal is the warmth that introduced them jointly, yet can their scorching ardour bring about an enduring love?
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Additional info for Destiny's Surrender
71 once perfected72 how to grant suits,73 Prospero Being How to deny them, who t’ advance,74 and who 80 To trash for over-topping75 – new created76 The creatures77 that were78 mine, I say, or changed ’em,79 Or else new formed80 ’em (having both the key81 Of ofﬁcer and ofﬁce),82 set83 all hearts i’ th’ state To what84 tune pleased his ear, that85 now he was 85 The ivy which had hid86 my princely trunk, And sucked my verdure87 out on’t. – Thou attend’st not. Miranda O good sir, I do. Prospero I pray thee, mark me.
But how is it That this lives in thy mind? What seest thou else37 In the dark backward and abysm38 of time? 40 Miranda But that I do not. Prospero Twelve year since, Miranda, twelve year since, Thy father was the Duke of Milan41 and A prince42 of power. Sir, are not you my father? 55 Miranda Prospero Thy mother was a piece43 of virtue, and She said thou wast my daughter. 45 Miranda O the heavens, 46 had we, that we came from thence? What foul play 60 Or blessèd47 was’t we did? Prospero Both, both, my girl,48 By foul play (as thou say’st) were we heaved49 thence, 36 looked after, attended 37 (1) in addition, (2) otherwise* 38 backward and abysm ϭ back places and bottomless gulf 39 before* 40 may also recall 41 MYlan 42 ruler, sovereign 43 true specimen/picture 44 and you 45 no worse issued ϭ are of no lower importance/standing (“birth”) 46 foul play ϭ treacherous dealing/actions 47 good fortune, joyful 48 both BOTH my GIRL 49 carried off, thrown, cast 12 act 1 • scene 2 But blessedly holp50 hither.
Introduction hundred years ago,“I cannot help being of opinion that the plays of Shakespeare are less calculated for performance on a stage,than those of almost any other dramatist whatever. Their distinguishing excellence is a reason that they should be so. ” 8 Lamb may not have been 100 percent right, but who are we to say he was wrong? Notes 1. Stephen J. Greenblatt, Learning to Curse: Essays in Early Modern Culture (New York: Routledge, 1990), 25–26. 2. Eric Cheyﬁtz, The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan (New York: Oxford University Press, 1991), 41, 61.