Sophie and the Sibyl: A Victorian Romance by Patricia Duncker

By Patricia Duncker

In Berlin, Max Duncker and his brother, Wolfgang, personal a thriving publishing company, which owes its luck to 1 girl: the Sibyl, or Mary Ann Evans, higher referred to as George Eliot, who's writing the ultimate installment of her bestselling serial Middlemarch. Max is as keen on playing and brothels as Wolfgang is of creating a revenue and berating his spendthrift brother, yet Max is given an opportunity to end up his worthy by way of vacationing the Sibyl and her not-quite-husband Lewes, to finalize the publishing rights to her new novel. The Sibyl proves to be as mesmerizing and clever as her books, bewitching Max and all of these round her.

But Wolfgang has an ulterior rationale for Max's stopover at; he wishes his brother to contemplate the gorgeous eighteen-year-old Countess Sophie von Hahn as a possible spouse. An acquaintance from Max's early life, she comes from a German family members of serious wealth. although, Sophie proves to be not anything just like the angelic imaginative and prescient of domesticity Max envisaged; wild and willful, she gambles recklessly but constantly wins, rides horses fiercely, and is worked up to disobey authority, in particular by way of her idol, George Eliot. Enchanted through this whirlwind of a girl, Max however fears he'll by no means manage to tame her.

With its shiny portrayal of George Eliot and the way she lived her existence, and the turbulent love tale of the countess and Max, Sophie and the Sibyl is either a compulsive learn and a excessive literary success.

Show description

Read or Download Sophie and the Sibyl: A Victorian Romance PDF

Best literature books


Heather and Mack McKay appear to have all of it: wealth, a dream residence within the suburbs, and cute young children in addition to the nannies to elevate them. yet their marriage has misplaced its relish: she is a annoyed author and he longs for a cultural trophy to hold on his belt.

During an opportunity come across in l. a., Mack invitations exiled author Zoltan Barbu--once lionized as a political hero, now turning into a has-been--to dwell with him and his spouse of their sumptuous domestic. The plan may still supply Heather with literary companionship, Mack with cultural cachet, and Zoltan himself with a pastoral setting during which to beat his writer's block and bring a masterpiece.

Of direction, as occurs with triangles, problems arise--some hilarious, a few sad--as the 3 gamers pursue a video game that results in transferring alliances and sexual misadventures. Shulman pokes enjoyable at our glossy malaise (why is having all of it by no means sufficient? ), while she strains the ever-changing dynamics inside a wedding. Ménage is a bravura functionality from one in every of America's most famed feminist writers.

Apuleius: A Latin Sophist

This publication is a reaction to the literary pleasures and scholarly difficulties of studying the texts of Apuleius, most famed for his novel Metamorphoses or Golden Ass. dwelling in second-century North Africa, Apuleius was once greater than an writer of fiction; he used to be a consummate orator highbrow, Platonist thinker, awesome stylist, relentless self-promoter, and flexible writer of a remarkably different physique of labor, a lot of that's misplaced to us.

Courtesy Lost: Dante, Boccaccio, and the Literature of History (Toronto Italian Studies)

In Courtesy misplaced, Kristina M. Olson analyses the literary influence of the social, political, and financial alterations of the fourteenth century via an exploration of Dante’s literary and political impression on Boccaccio. The booklet finds how Boccaccio rewrote the earlier throughout the lens of the Commedia, torn among nostalgia for elite households in decline and the necessity to advertise morality and magnanimity in the Florentine Republic.

Extra resources for Sophie and the Sibyl: A Victorian Romance

Example text

In the modernist decades following 1912, as proponents of a separation of art from social forces increasingly define the poetic field, socially-committed poets the likes of Lola Ridge, Genevieve Taggard or Muriel Rukeyser are relegated to relative critical obscurity. Just as the year 1912 marks a high point in feminist activism and discussion, it also registers the ongoing power of backlash moments to silence that discussion. These reactionary moments have largely succeeded in effacing or trivialising women’s roles in modernist literary history.

The threat of radical feminist discourse underscores a buried but significant modernist moment in October 1912 when The Freewoman: A Humanist Weekly was silenced. The publisher, W. H. Smith, rejected it for its scandalous ideas about women, resulting in its banning from bookshops (Green 2003: 226). Begun a year earlier, in late 1911, under the name of The Freewoman, the journal responded to the conservatism of the suffrage movement alleged by its founding editors, Dora Marsden and May Gawthorpe, who themselves had taken part in militant protests and hunger strikes on behalf of the movement.

For all of their unorthodox uses of public spectacle, however, the Pankhurst organisation and the suffrage movement attracted criticism from more radical elements of a newly emerging feminist movement that increasingly expanded the discussion of the women’s rights into arenas of sexuality, birth control, labour and economics, offering critiques of traditional social institutions of family and religion. Seen by the new feminists as too conservative and morally timid, the focus on the vote to the exclusion of more far-reaching ideas of women’s equality motivated Marsden and Gawthorpe to advocate a bolder intellectual, economic, and sexual agenda for women’s liberation.

Download PDF sample

Rated 4.52 of 5 – based on 21 votes